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Shane Cotton conceived of his print as a study of remembrance and an image of contemplation. Different histories are layered, mixed, and expressed in a blend of imagery and iconography.
Text floats above an exaggerated landscape of the Gallipoli Peninsula and branches of parekawakawa (Māori head wreaths symbolic of grief and mourning). A square ‘viewfinder’ represents Australian outlaw Ned Kelly’s iron mask. It also acknowledges Australian painter Sidney Nolan’s Ned Kelly series.
For Cotton, the mask’s frame is a metaphor for framing history. He also connects the Ned Kelly and Anzac stories, seeing both as exemplifying ‘noble failure’, which he believes is a common trait in Australian and New Zealand identities.